Young Phaëthon challenges the god of the sun, Phoebus, to prove he is his father, and takes his chariot on a ride to disaster and death.
Tintoretto
Jupiter wants Io, but after raping her turns her into a cow for safe-keeping. Juno suspects, though, and puts the cow under the watchful hundred eyes of Argus.
Cupid gets revenge on Apollo by making him fall in love with Daphne, and she refusing to co-operate. The result is her being transformed into the laurel.
Jupiter wipes out unworthy humans in a flood. One pious couple survive, and go on to re-create humanity transformed from stones. This leaves the monstrous Python to be killed by Apollo.
From Tintoretto in the 1560s, through the canonical Raft of the Medusa by Théodore Géricault, to Delacroix’s Shipwreck of the Don Juan.
The Last Supper, Veronese’s series of New Testament feasts leading to his appearance before the Inquisition, and Belshazzar’s Feast.
How ropes form a thread running through these four paintings of the Passion and Crucifixion Tintoretto painted.
Wielded by the Etruscan god of death Charun, Hephaistos or Vulcan, Jael as she killed Sisera, those who nailed Christ to the cross, and the Norse god Thor.
Superb paintings of this tragedy from Roman history, by Veronese, Reni, Gentileschi, Rembrandt and Godfrey Kneller.
Paintings from 1400, including Tintoretto’s masterpiece, Veronese, and three by Artemisia Gentileschi, telling this story.