Three classical myths – Atlas turned to stone, Philemon and Baucis, and Leto and the Lycians turned into frogs. Why you should always show hospitality to strangers.
Not well known now, she features in two myths which have been extensively painted by Tintoretto, Carracci, Brueghel, and Claude Lorrain.
Paintings of this popular story from Ovid’s Metamorphoses, by Tintoretto, Jan Brueghel the Elder, and the unknown Gabriel Guay.
Independent and aloof, cats train their humans and think that they’re still large and ferocious. Paintings from Carpaccio to Bonnard.
Popular with painters during the early 1600s, copper sheets were used by Jan Brueghel the Elder, Adam Elsheimer, David Teniers the younger, William Blake, and Joseph Stella, among others.
Tasso’s narrative is as complex and interwoven as these six leading characters, from the pious Godfrey to the scheming sorceress Armida.
Twenty cantos summarised with the very best of their paintings by Delacroix, Teniers the Younger, Domenico Tintoretto, Poussin, Tiepolo, and others.
The last challenge to the delivery of Jerusalem is the attack of the massed army of the Egyptians. It brings Armida’s reconciliation with Rinaldo, and more fine paintings.
Rinaldo recovers his senses, and feels ashamed. He rushes off to rejoin the crusaders, but Armida pleads with him to stay. When he refuses, she seeks vengeance.
The rescue of Rinaldo gets under way. Meanwhile he is making love with Armida in the perpetual spring of her garden. Superb paintings from Poussin, Tiepolo, Kauffman, Stillman, and others.