Nicolas Poussin’s superb set from the end of his career, a series of women by Bouguereau, Delacroix’s set of myths, Mucha, Crane and a Japanese set from 1917.
season
Arcimboldo’s 4 in 1, two sets by Joos de Momper, one anthropomorphic the other of landscapes, and a splendid set by Pieter Brueghel the Younger.
A series of four paintings commissioned by an industrialist lead the way for the painters of the next generation.
More leaf-peeping, from Tina Blau and Monet’s poplars on the River Epte, to Paul Nash’s eerie Wittenham Clumps under the moon’s last phase.
Come leaf-peeping with painters from Samuel Palmer in the Weald of Kent, to Julian Alden Weir’s autumn rain.
References to Botticelli’s Primavera and Poussin by Tiepolo, and in the late 19th century: Flora and the Spring.
Two masterworks: Botticelli’s Primavera (Spring) and Poussin’s Empire of Flora, telling stories from Ovid. And they paintings they influenced.
Both Poussin and Delacroix painted important series just before they died. Others here from Bouguereau, Mucha, and the Japanese Araki.
Derived from books of hours, paintings of the four seasons started to appear in the late 16th century. Here are Arcimboldo, de Momper, and the Brueghels.
Paintings of trees in their magnificent autumn colours by Millais, Inness, Monet, Homer, Pissarro, Tom Thomson, Paul Nash, and more.
The Eclectic Light Company 