As a sign of those in domestic service, and the poor when working on the land, worn by those in the kitchen, even the men, and protecting their bodies when at work.
Pissarro
A spectrum of purposes and styles, inspired by Émile Zola’s experimental approach to novels, documenting ordinary people with objectivity, in a neutral realism.
Long used as a support for fine art painting in East Asia, fans made their way from Japan into French collections in the late 19th century, and Degas and Pissarro saw their potential.
Paintings starting with JMW Turner in 1844, through Monet in 1871, Winslow Homer, Jules Bastien-Lepage, Tom Roberts, Pissarro, and Childe Hassam.
After the Paris Commune, Pissarro returned to discover most of his life’s work had been destroyed, but he and Sisley continued to paint in Louveciennes and its surrounds.
In the summer of 1869, Renoir was living at his parents’ house in Louveciennes, and Monet was living near Bougival. Together they painted the works that set out the manifesto of Impressionism.
Matching views painted by Pissarro and Cézanne of the Côte des Boeufs, a rainbow, the village in winter snow, and Pissarro’s gradual change to Pointillism.
From Pissarro’s early realist landscapes of 1867, the landscapes of a forgotten Impressionist, to the first outdoor paintings of Paul Cézanne made alongside Pissarro’s easel.
How oil paint can be used to create crisp and blurred edges, and sfumato. Implications of paint drying in some of Monet’s paintings, including his Grainstack series.
Country folk lured by the promise of material goods and wealth, fine clothes and smart carriages, who end up working in coal mines and struggling to stave off poverty.
The Eclectic Light Company 