The first caused war between centaurs and humans, in the second many were turned into stone, and the third caused the Trojan War
Piero
In the Renaissance, the unicorn wasn’t legendary at all, but had appeared in classical accounts of natural history. It was as real as a rhinoceros.
Like all the worst men, satyrs were addicted to music, wine and women. Paintings by Piero, Claude, Rubens, Vedder, Moreau and others.
Myrrh makes its appearance as one of the 3 gifts of the Magi, then as an attribute of Mary Magdalene. A history in paintings by Bosch and others.
The use of symbols in paintings from the Renaissance to the start of the nineteenth century, with van Eyck, Rubens, Girodet, and others.
The Judaeo-Christian tradition lacks any goddess, unlike its predecessors in Mediterranean cultures. Is there an equivalent among its saints, or the Virgin Mary? An exploration in paintings.
In the Renaissance, while oil painting was still catching on, many of the greatest masterpieces were painted in egg tempera. How, and to what effect?
Great paintings by Botticelli, Bosch, Titian, Tintoretto, the Carraccis, and others, showing multiplex narrative.
The standard blue pigment for the Renaissance and on, until about 1710, it was used in many Old Masters before disappearing by 1800.
A beautiful, intense green used by the van Eycks, Tintoretto, Domenichino, and Renoir, it was never popular in oil paints, and quietly died out.
