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Palmer

Landscapes of the Ancients: John Linnell, harvest and sunset

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Financial success in 1846 finally allowed him to concentrate on landscape painting – and to paint many sunsets and harvest scenes.

January 12, 2017 General, Painting

Landscapes of the Ancients: John Linnell, early landscapes

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Almost forgotten now, apart from the help that he gave William Blake, he was the most prominent British landscape painter after Turner’s death.

January 11, 2017 General, Painting

Tyger’s Eye: from William Blake to the Ancients and moderns

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Tracing Blake’s influence through his friends John Linnell and Samuel Palmer to the likes of Graham Sutherland and Eric Ravilious.

January 8, 2017 General, Painting

Tyger’s eye: William Blake’s role models and peers – Barry, Flaxman, Mortimer, Stothard

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Blake did not exercise his genius and vision in isolation. Here are some paintings by those who influenced him most.

January 7, 2017 General, Painting

Tyger’s eye: the paintings of William Blake, 16 – A miscellany

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A wide-ranging selection of appealing and interesting watercolours, covering most of Blake’s career and themes.

December 28, 2016 General, Painting

The Story in Paintings: So what is a narrative painting?

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I thought that I knew what a narrative painting was, until I saw some examples. Are they?

February 24, 2016 General, Painting

The Story in Paintings: Moving panoramas for the masses

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Long forgotten now, panoramas were hugely popular in the 1800s, and some were strongly narrative.

February 10, 2016 General, Painting, Technology

Trees in the landscape: 1. Introduction to the new series

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A brief glance through the history of painting trees in the landscape, from Rubens and Poussin to van Gogh and Pissarro.

October 11, 2015 General, Life, Painting

Landscape Visions: 6 figures, staffage, and Advent Calendars

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Some paintings have figures and action which goes beyond staffage, and provides narrative, meaning, or puzzles.

August 3, 2015 Painting

Landscape Visions: 5 Vision beyond

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Two painters whose visions were particularly clearly articulated, and contrasting: Caspar David Friedrich and Samuel Palmer.

July 31, 2015 Painting

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