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Palmer

Paintings of Autumn 1: 1573-1895

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From Arcimboldo’s vegetable portrait to the height of Impressionism with Monet and Pissarro, some of the finest paintings of the season.

October 13, 2018 General, Life, Painting

Seeing History: Static views

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The mental images which we perceive are created in the brain, which has some fixed ideas about how to do that. They’re not the same as optical laws used in cameras and related devices.

December 6, 2017 General, Life, Painting, Technology

Coast: The Cornish Riviera in the nineteenth century

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Until 1867, Cornwall was days away from London, but its coast was painted by De Wint, JMW Turner, and Samuel Palmer.

October 11, 2017 General, Life, Painting

If you go down to the woods: leaf-peeping

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Paintings of trees in their magnificent autumn colours by Millais, Inness, Monet, Homer, Pissarro, Tom Thomson, Paul Nash, and more.

October 1, 2017 General, Life, Painting

Wet in wet: a brief history of watercolour – 2, 1800-1850

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This takes us from Samuel Palmer and Peter De Wint, through Girtin and Cotman, to JMW Turner and William Blake.

September 3, 2017 General, Painting

Two Roads to Magical Landscapes: Paul Nash and Nikolai Astrup

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Their landscapes developed a magic distinctive to the artist. Only by direct comparison are their similarities and differences made clear.

March 20, 2017 General, Painting

Paul Nash: from ancient to surreal, 1 – to 1920

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Landscapes influenced by Blake and Palmer, then some of the strongest images of the First World War. The start of a remarkable career.

February 27, 2017 General, Painting

Landscapes of the Ancients: Samuel Palmer, etchings and sunsets

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He recovered some of his youthful vision in the 1860s, when he painted rich rustic views lit by the setting sun.

February 1, 2017 General, Painting

Landscapes of the Ancients: Samuel Palmer, Rome and Wales

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He started topographic paintings when he returned to London, and during his extended working honeymoon in Italy.

January 25, 2017 General, Painting

Landscapes of the Ancients: Samuel Palmer, early visions

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Largely self-taught, he was a precocious painter whose major works started when he was only 20. This covers his early work and time in Shoreham, to 1835.

January 18, 2017 General, Painting

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