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Making space: 4 Aerial perspective

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Aerial perspective includes reduction in contrast, reduction in chroma, and colour shift towards ‘cooler’ i.e. more blue, colours. But it can be more complex.

April 23, 2015 Painting

Making space: 3 Texture, shading, and shadow

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Considers the role of texture and detail gradient, shading and shadow in the depiction of depth in paintings.

April 21, 2015 Painting

Stag-head Horse Chestnut, Spring: first plein air of the season

The plein air painting season has at last got going here, with fine, warm, and very sunny weather. […]

April 15, 2015 General, Life, Painting

Favourite Paintings 18: Sandro Botticelli, Primavera (Spring), c 1482

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One of the most famous paintings of the Italian Renaissance, and one of the later huge works in egg tempera, its interpretation remains controversial.

April 10, 2015 Painting

Book Review: Ravilious, James Russell

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This accompanies The Dulwich Picture Gallery’s current exhibition of Ravilious’s watercolours, the largest to date, and impresses in several respects.

April 8, 2015 General, Life, Painting

Favourite Paintings 17: Camille Corot, View of Rome: Castel Sant’Angelo, 1826-7

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A superb plein air painting of this scene on the River Tiber is part of the foundation that Corot laid for Impressionism.

April 6, 2015 Painting

Making space: 2 Size, distance, position

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The importance of relative size, and height in the picture plane, in imparting depth and space in painting.

April 5, 2015 Painting

Mark-making is not abstraction

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How many times have you heard it said that mark-making is a sign of abstraction in painting?

April 3, 2015 General, Painting

Movie Review: Rembrandt (2015), Exhibition on Screen, Kat Mansour and Phil Grabsky

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The movie to accompany the Late Rembrandt exhibition. A worthy substitute for those who missed it, and an essential companion for those who went.

April 3, 2015 General, Life, Painting

Making space: 1 Turning 3D into a 2D drawing or painting

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When we sketch, draw, or paint we accomplish the small miracle of depicting a three-dimensional motif on our two-dimensional ground. This first article considers the cues for visual depth.

April 1, 2015 Painting

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