A Richard Strauss opera, a classical Greek myth, and a painting. Do they tell the same story, and how?
painting
His paintings move through Impressionism to a distinctive Post-Impressionism, with swirling brushstrokes, and more subtle colour.
He worked his way from rural naturalism, through Impressionism, to a distinctive Post-Impressionism.
Did this masterpiece of Neo-Impressionism use an old technique from the early Renaissance?
I have several times written that early western painting, until the late Renaissance, not uncommonly incorporated multiple copies […]
An unusually moral story of the classical gods; superb paintings by Rubens, Rembrandt, Elsheimer, and others.
Looking at the stories shown in the main paintings of the Brancacci Chapel, Florence.
More myths in a single painting than you’ll see anywhere else. But do they come together to form another narrative?
Vasari praised Masaccio’s fresco, then six years later painted over parts of it, and put his altarpiece in front, obscuring it for nearly 300 years.
His final frescoes were an inspiration to Michelangelo and others in the Renaissance, and include one of the greatest paintings in Europe.
The Eclectic Light Company 