Although not unknown beforehand, these were patented in 1787, when the term was coined. Examples from before 1627 BCE to the end of the 19th century.
painting
The crusaders start their march on the Holy City of Jerusalem, going from Tartus to reach Emmaus, just as all able-bodied Christians are banished from the city by its ruler Aladine.
More fine views of this rugged island by Achenbach, Theodore Robinson, Susan Watkins, Konstantin Gorbatov, and others.
Views of its dramatic coastline, high cliffs, and natural rock arches, by Albert Bierstadt, Haseltine, John Singer Sargent, and others.
In the weaving contest between Arachne and Minerva, used by the Fates, cropped to weaken Samson, in the Annunciation, or simply for cutting.
New series describing and illustrating how reflections have been painted in European and American art, from the early Renaissance to the 20th century.
Links to each of the articles in this series, and to many other previous articles. Covers painting in the provinces forming the Dutch Republic between 1600-72.
Trained first as an engraver, he avoided oil paints altogether, working in conventional watercolour, mixed media, and developed two distinctive techniques, one of watercolour monoprints, the other using glue tempera.
A mystic dies from burns after an ordeal by fire, Jerusalem is put under siege, then on 13 July they take the Holy City and start massacring its inhabitants. Few return alive to Europe.
More influence in paintings by van Gogh, Pierre Bonnard, Paul Gauguin, the Nabis sculptor Georges Lacombe, Helen Hyde, and Colin Campbell Cooper.
The Eclectic Light Company 