A gruesome story of two dead lovers which is used to persuade a young woman to be more responsive to her wooing. Painted by Botticelli and Ghirlandaio.
painting
Two friends, close in age and origins, who even shared the same surname. Social realists as they struggled for success, both changed when they attained it.
With an army from Egypt on its way, the crusaders have no time to lose. Rinaldo removes the spells preventing them from cutting timber, and they are soon assaulting the city of Jerusalem.
The finest landscapes, from Marsden Hartley, Pierre Bonnard, Ferdinand Hodler, and others in 1918.
Both Poussin and Delacroix painted important series just before they died. Others here from Bouguereau, Mucha, and the Japanese Araki.
Derived from books of hours, paintings of the four seasons started to appear in the late 16th century. Here are Arcimboldo, de Momper, and the Brueghels.
He retired to Roskilde, where he painted superb views of its Gothic cathedral, and looking out over the fjord.
Some delightful gardening and rural tales, and a couple of views of the gardens of Rome. It seems that he retired after about 1922.
Rinaldo recovers his senses, and feels ashamed. He rushes off to rejoin the crusaders, but Armida pleads with him to stay. When he refuses, she seeks vengeance.
Narrative works by Corinth, Klimt, and others; figurative work by the same two, Schiele and Munch.
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