Associated with the legendary story of the origin of Rome, a woodpecker kept a close eye on the twin infants Romulus and Remus. It’s also associated with the sorceress Circe.
painting
Start with genre paintings from the Dutch Golden Age, add Géricault’s ‘Raft of the Medusa’, Courbet and Millet’s social realism, Manet and Lhermitte and you’ve made Naturalism.
Introduction to the geometry of reflections on water, and a composite image to aid their analysis. How Turner altered some of the reflections he painted.
After a conventional start with oils and watercolour, he experimented with pastels, using them with water, and applying them to monotypes. He also removed the drying oil from paints.
The crusaders first sight of the Holy City, and an initial skirmish claiming the life of Dudon. Tancred falls in love with the Saracen knight Clorinda, and Armida the sorceress is sent to damage the crusaders from within.
Leader’s Worcester, Constable’s several paintings of Salisbury, Canaletto’s Saint Paul’s in London, a Thanksgiving at St Paul’s, Bastien-Lepage and Le Sidaner.
How Thomas Girtin’s watercolours of British cathedrals matured from his first of Rochester when he was only 15, to Durham and Ripon Minster a decade later.
As a sign of those in domestic service, and the poor when working on the land, worn by those in the kitchen, even the men, and protecting their bodies when at work.
A spectrum of purposes and styles, inspired by Émile Zola’s experimental approach to novels, documenting ordinary people with objectivity, in a neutral realism.
Unusual self-portraits painted using mirrors by Courbet, Corinth, Bonnard, Gentileschi, Peeters, and Velázquez.
