Its two scenes with witches are most famous, and often confused. There’s more to this play, though, and other scenes in fine paintings.
painting
Pre-Raphaelites painted Morgan le Fay from Arthurian legend, and the Nabi Paul Ranson seemed fascinated by witches.
Interest in paintings of witchcraft grew in the Age of Enlightenment, with a series painted by Goya for the Duchess of Osuna.
Pastel paintings were central to his art, from empty beach landscapes of 1869, through the ballet, to women bathing and dressing in the 1880s, and fantasy landscapes of 1892.
He almost stopped painting in oils from 1910 until the end of the war. But his few works continued to develop his Neo-Impressionist style.
His most radical watercolours were painted after he closed his portrait studio in 1907, when they cam to transcend reality.
Why are women sometimes shown as having very pale skin? Why did they apply cosmetics to make their faces whiter? Ask the ancient Egyptians.
If you remember one Shakespeare play well, it’s Romeo and Juliet, shown here in paintings of the balcony scene, and the couple’s tragic deaths.
The man in the background is the husband of Mrs Phelps Stokes, posing as a surrogate for a Great Dane. Note the Renaissance elbow.
How the grand-daughters of the Duchess of Devonshire posed for the triple portrait and referred back to any orgiastic scene of bacchanalian revelry.
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