A ship in the Golden Horn of Istanbul, a panoramic market on the waterfront, scenes from Damascus and Turkey, and the ever-present seller of green watermelons.
orientalism
From the late 1850s he travelled extensively in Persia, Armenia, Turkey, Egypt and the Arabian Peninsula, painting detailed realist views of markets and more.
Middle class collectors came to like paintings of interiors, sometimes without any figures at all. Others were Orientalist, or told open-ended narrative.
Paintings of Istanbul and its surroundings by Gérôme, Delacroix, Richard Dadd, Ivan Aivazovsky, and Alberto Pasini up to 1877.
Paintings of Morocco by Marià Fortuny, Théo van Rysselberghe, Enrique Simonet, and Henry Ossawa Tanner.
Delacroix as a pioneer of Orientalism with his paintings of Morocco, based on his visit in 1832. Then Marià Fortuny, war artist there in 1860.
Orientalism, a duel in fancy dress, gladiators in the Colosseum, the assassination of Julius Caesar, and the cynic Diogenes.
His final and unusual paintings, of Ovid in exile in Scythia, his last shipwreck, the Education of Achilles, and Arabs Skirmishing in the Mountains.
A landscape, Roman history, Orientalism, a scene from Scott’s Ivanhoe, a crucifixion, and more scenes from Byron.
As he continued to paint history and other narrative works, and turn his watercolours from North Africa into finished oil paintings, he started decorative painting for the State.
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