Paintings by Velázquez, Manet, Renoir, Sorolla, and others.
narrative
Paintings by Botticelli, William Merritt Chase, Pierre Bonnard, Paxton, and Vuillard showing the first meal of the day.
Grifone captures the imposter Martano, taking him and his lover back to Damascus. In the siege, the Christians chase of Rodomonte’s one-man terror, and get the upper hand against the Africans and Moors.
From a pen and ink drawing, to fine sketches in chalk, then into oil paint on canvas, next modelled by a sculptor in clay, and finally into a bronze bas relief.
By Pierre Bonnard, Lovis Corinth, Eleanor Fortescue-Brickdale, John Collier, Joseph Stella, and others. Truly eclectic.
After an elaborate retelling of the story of Polyphemus and Odysseus, a champion knight is replaced by a cowardly imposter and suffers mockery and rebuke.
At the siege of Paris, Rinaldo arrives with the Scottish and English reinforcements, and engages with the Saracens, while one man runs amok in the city itself.
The Saracens launch their assault on the city of Paris. Meanwhile, Astolfo is making the long journey back to Europe, during which he has capture a giant and kill a monster who self-repairs.
Three knights are trapped in a Magic Castle, each looking for their beloved. Angelica leads them to freedom, but keeps vanishing. Tales of shipwreck and treachery too.
Ruggiero rescues Angelica, but is unable to kill the orc. After they fly off together, he tries his luck but she becomes invisible and escapes. Orlando then kills the orc and rescues Olimpia.
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