Virgil leads Dante through the gate of Hell, with its inscription ‘Abandon hope all ye who enter here’. Charon is persuaded to carry them across with the souls of the dead to enter Hell.
narrative
Dante is wandering lost in a dark wood, his way out obstructed by wild animals. He asks a man to help, only to discover he’s the ghost of Virgil and they’re on their way to Hell.
If there’s one book every head of state and leader should read, it’s Dante’s Inferno. Introduction to a new series showing paintings of this first part of his Divine Comedy.
Overview and full contents of all 74 articles in this series, from creation out of chaos and the flood, to the death of Julius Caesar and Emperor Augustus.
His finest narrative paintings from Susanna and the Elders in 1890, through Salome and Homeric Laughter, to Ariadne on Naxos and the Trojan Horse in 1924.
Completes this unique virtual exhibition with paintings on the Calydonian Boar Hunt, Philemon and Baucis, Birth of the Milky Way, Adonis, and more.
A unique virtual exhibition of some of Rubens’ finest depictions of myths drawn from Ovid’s Metamorphoses.
From the foundation of Troy, the start of the war with the Judgement of Paris, the death of Achilles, the sack of Troy, and Aeneas journey to found the precursor to Rome, and on to the age of Augustus.
Paintings of police from lictors in ancient Rome, through ‘Peelers’ in London, to those regulating prostitution and trying to control striking workers.
In his last year of intensive painting, he concentrated on landscapes of the Walchensee, his family, and final narratives of the Trojan Horse and Balzac.
The Eclectic Light Company 