Even Poussin used this narrative form. Here are other example right up to 1947, including paintings by Corot, Munch, Corinth, and others.
narrative
Great paintings by Botticelli, Bosch, Titian, Tintoretto, the Carraccis, and others, showing multiplex narrative.
Showing two or more scenes from the same story in a single painting (multiplex narrative) is common, effective, and good art. Examples from Masaccio, Memling, Bosch, and more.
He’d been trying to get a commission since 1549. Then in 1564, he pre-empted a competition, and painted 23 works for a single room, including his vast Crucifixion, 12 m (40 feet) across.
Some religious stories which may have had personal relevance, and conclusions to his series of Roman spectacles, and his sculpture. Finally, a joke which may have inspired the Surrealists.
The less famous Wedding at Cana which preceded that of Veronese; two Assumptions, a Last Supper which still shocked Ruskin 300 years later, and episodes from the story of Saint Mark.
Rembrandt’s masterpiece looking deep into Bathsheba’s predicament, but it was von Stuck who first suggested that she may have been a willing participant.
The story of Bathsheba and King David involves adultery and murder, and ultimately the triumph of power not virtue. Early paintings up to Artemisia Gentileschi.
Three key religious works from his early career: a Crucifixion painted on a budget, and two vertiginous canvases nearly 15 m (50 feet) high.
His late career tackled his dislike of Impressionism, sculpture, photography as an art, and the depiction of truth – in several superb paintings.
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