Second and concluding article, including paintings by van Gogh, Chase, Monet, Pissarro, CĂ©zanne and others.
Monet
Coastal landscapes from Claude in 1639, through visits to the island of Capri, to Étretat and Monet’s series, and Divisionists in the Midi.
Into the 20th century, fog became a popular compositional device. Examples from Monet, Pissarro, Vallotton, Hodler and others.
Introduced to European painting by JMW Turner and Caspar David Friedrich, fog effects became popular in the later nineteenth century.
Paul CĂ©zanne led the way in Aix-en-Provence, followed rapidly by Renoir, Signac, Cross, Luce, van Rysselberghe, and Pierre Bonnard.
Some of the many major works from the 19th century, from Caspar David Friedrich, through Turner and Constable, to Paul CĂ©zanne, and van Gogh’s sunflowers.
From the snowy landscape of Brueghel’s Hunters to Monet’s Magpie, with Pissarro, Signac, Caillebotte and others.
Repoussoir through windows, doors, then invading the middle of the painting with Corot and Pissarro, before CĂ©zanne inverted it altogether.
Even the most humble wooden or stone bridge has a satisfying geometry about it that contrasts with natural forms without looking out of place.
Initially a social realist, he painted those on the edge of Paris society, including rag pickers and a garlic seller, but was rejected by Monet.
The Eclectic Light Company 