Telling a story in a standalone painting, and telling one in illustrations, are very different. Examples by Masaccio, Poussin, Crane, Rackham, and Hogarth.
Paintings of windmills from Hieronymus Bosch, Rembrandt, Jacob van Ruisdael, Thomas Girtin, and others.
His most famous painting, ‘Work’, inspired by the ideas of Thomas Carlyle, and a possibly unique example of multiplex narrative after William Hogarth.
Romulus and Remus were abandoned as babies, when the intent had been to kill them. And paintings by Hogarth, and the daughter of a successful foundling.
After his greatest human panorama showing Paddington railway station, he painted two moralising series, similar to those of Hogarth.
The story of Ghismonda and her lover Guiscardo is not well-known in paintings, but has been well covered, most recently by Hogarth.
Lead White was the primary white pigment used in oil painting until the late twentieth century, and Chalk White was mainly used in the grounds under oil paint layers.
From providing basic hospitality to those who couldn’t be nursed by their families, hospitals started to change during the Age of Enlightenment. But for many they were still the waiting room for hell.
Tracing the social history of gambling in paintings by Bosch, Caravaggio, de La Tour, Salvator Rosa, Murillo, Hogarth, and others.
For once the name is accurate: it originated in the Prussian Empire around 1704, and by 1730 had established itself as a standard if not entirely reliable pigment. Watteau, Canaletto, Hogarth, Blake, Monet, and van Gogh all used it.