In his later career he returned to rural themes, although his last major work showed Les Halles, the main market in Paris at the time.
history
A precocious artist whose Naturalist paintings showed the harsh realities of rural poverty and hard labour. A friend of Zola, he also painted leading figures in science.
Country folk lured by the promise of material goods and wealth, fine clothes and smart carriages, who end up working in coal mines and struggling to stave off poverty.
The endless other world of chimneys and snow-covered roofs in Paris and other cities. Munch’s growing anxiety culminating in The Scream of angst.
Plague ravaged cities across Europe and much of the world, cholera came from contaminated water supplies, then there were influenza and tuberculosis.
No public holidays, and no paid leave either. Despite that, mill workers travelled by train to the seaside in Wakes Weeks.
From the Royal Parks in London at the turn of the 19th century, through the parks of Paris, Rome, Vienna, New York City and Brooklyn.
Crowds in the cities of Paris, Berlin with its new electric trams, and the rush hour in New York City. People, horse cabs, trams and early cars everywhere.
From tired seamstress to milliner, into the fashion house of Paquin, and onto the streets alongside the affluent of Paris at the turn of the century.
The urban poor, painted by Raffaëlli, George Breitner, Fernand Pelez, Christian Krohg, Geoffroy, Henningsen in cities across Europe.
The Eclectic Light Company 