Paintings by Richard Wilson, John Sell Cotman, James Ward, Samuel Palmer, Hans Gude and others showing the landscapes of Wales.
A foray into painting industrial landscapes in Impressionist style, and some of the highest peaks in Europe. Most memorable for his apocalyptic vision of the end of humankind.
Landscapes which are quietly unusual, and one of the Symbolist masterworks of the 19th century, after which he turned Impressionist.
From Tivoli, near Rome, in 1757, through the Alps with Wolf and Turner, to remote Albania as seen by Edward Lear, artist and poet.
A World View with a high aspect ratio, they came to dominate in the latter half of the 19th century, some being major commercial attractions. Now ubiquitous.
Some personal, even intimate wedding paintings, from Rubens, Hans Gude, William Frith, and two Naturalists. And they all lived happily ever after.
After Symbolism, he turned to Impressionism, with a wide range of motifs from mountain peaks to smoky steelworks.
A pupil of Hans Gude, he stopped painting for over 10 years. When he resumed, he painted unusual landscapes, peaking in a Symbolist masterpiece of the apocalypse.
Good for watercolour and pastels alone? Paper and cardboard have also been used extensively for oil sketches, and more.
A social realist whose themes spanned controversial topics such as poverty and prostitution, he was a major influence of Edvard Munch, and central to Nordic and northern European art.