Instead of splitting scenes into separate frames as in comics, in the Renaissance they’d be integrated into a single image
Duccio
Modern interpretations of this highly popular theme in Christian religious painting, from William Blake to Joseph Stella in 1929-33.
Classical and mediaeval dress was simple, and not tailored much until after 1000 CE. Painters were also constrained by fresco and egg tempera.
A staple product of many pro painters in western Europe for over half a millennium, and required by every church and chapel.
From a prototype laid out by Duccio in about 1310, through the vision of Saint Bridget, to modernised versions in a French town or English cattle shed.
In Florence, stories told in paintings became increasingly secular, and ingeniously integrated multiple scenes from the single story into one painting.
Few paintings attempt to tell the full story of the Passion. Here are remarkable works by Duccio, Hans Memling, and Hieronymus Bosch.
For over a century, Italian painters had strived to achieve coherent perspective projection, but it was until about 1420 that this was achieved. How essential was it?
First in a new series looking at Renaissance painting from Italy, centred on Florence, shows some of the masterpieces of the ‘gap’ before the Gothic.
Paintings from 1263 to 1504 show how the traditional Nativity developed. Examples by Duccio, Campin, Botticelli and Fra Bartolomeo.
The Eclectic Light Company 