Although he painted many abstracts around the First World War, he was primarily a landscape artist, and an avid experimenter in style.
Seurat was interested in much more than the perception of colour, and in his reading of contemporary science (particularly that of von Helmholtz) and in his paintings, explored much of visual experience.
Of the more prolific and influential members of the Macchiaioli, Fattori was the only one to adhere to the group’s principles throughout his career, at cost to his income and recognition.
Although lightness and chroma can usually be approached successfully using methodical approaches, long experience has shown that hue is much more hit or miss. Developing a good ‘eye’ for colours is generally much more important.
A luminous painting of the port of Marseille in dawn light, looking up towards the ‘Good Mother’ church, marks the height of both Neo-Impressionism and Fauvism.