How Dutch painters studying in Italy came to be influenced by Caravaggio, and took his style back to Utrecht, where they became known as Utrecht Caravaggists.
Caravaggio
The Renaissance provided the tools of realist painting, but remained largely bound to religious and mythical motifs. Seventy years later, many new genres had appeared.
Summary and contents of the first 19 articles, covering the origin of the world, the great flood, fall of Phaëthon, rape of Europa, the fall of Thebes, and more.
How expression of pain became stereotyped in narrative paintings from Caravaggio to Böcklin, a very early Rembrandt and the anguish of a ewe on the death of her lamb.
Perseus describes in his wedding speech how he beheaded Medusa, and how she came to have snakes in her hair.
A small selection of favourites from its huge and eclectic collection, from Duccio in about 1310 to Joseph Wright of Derby and a gem from Thomas Jones.
Linked stories of Tiresias, the trans-gender soothsayer, Narcissus who fell in love with himself, and Echo who could only repeat what others said.
Two themes now largely forgotten: Christ’s descent into Limbo and Harrowing of Hell, and his supper at Emmaus.
Gambling as a sure road to Hell, with Bosch, Caravaggio, Georges de la Tour, Hogarth, Géricault, Courbet, Rossetti, and others.
Carrying Caravaggio’s rotting fruit, bread from the cereal harvest, Vermeer’s milkmaid, fish, dirty washing, lambs, rocks and garlic.
