Superb paintings by Bruegel, Samuel Palmer, Daubigny, Jules Breton, Anna Ancher, Félix Vallotton, and others.
Paintings of windmills from Hieronymus Bosch, Rembrandt, Jacob van Ruisdael, Thomas Girtin, and others.
Escorts of valkyries, the bird of the gibbet, and seeker of carrion: crows and ravens are associated with death, magic, and more.
The popular story told concisely by Ovid, and painted brilliantly by van Dyck, Leighton, Rubens, Brueghel, and others.
Are they part of a narrative, or staffage? Do they provide scale, or enhance the effect? Are the figures part of the landscape, or even the landscape itself?
Among his last paintings are six superb landscapes, painted for his pleasure. What a wonderful end to such an illustrious career.
Like Poussin, most of his works are strongly narrative in intent. Did he paint any pure landscapes, or are all his figures actors in his stories?
A lighter and formerly very popular story brings to light some masterly paintings, including a superb work by Jan Brueghel the Elder.
A landscape without human or animal figures often looks eery or unnatural. This new series looks at how figures are used in landscape paintings, with copious examples.
Juno takes a day-trip to Hades in her bid to unleash one of the Furies on this unfortunate couple. A wonderful Brueghel which is as good as Bosch at his best.