First fully developed in the Dutch Golden Age, here are Constable’s storms, Turner’s vortices, Boudin’s textured dusk, ending in Paul Nash’s imagination.
Boudin
Géricault’s Raft of the Medusa, Gérôme’s gladiators, Émile Claus and Luminism, Boudin on the beach, and into the skies with Hans Thoma’s herons.
Its weather is often wild, with mountainous seas. Views of its rugged coast, seaweed harvesting, and religious pardons.
Richard Parkes Bonington, Camille Corot, Eugène Boudin, Claude Monet and Johan Jongkind all painted this small town opposite Le Havre.
Throughout the 19th century, as going to the beach became more popular, adults at least only bared essentials, and even covered arms and legs.
From Renoir in 1881 through multiple Impressonists to Monet in 1908, more views of Piazza San Marco in Venice.
Washing and drying clothes have been important activities in many landmark paintings. Selection from Isabey, Boudin, Gauguin, Renoir and others.
Fifteen images of paintings by twelve artists which were shown at the First Impressionist Exhibition present a more coherent overview. But history is capricious.
This brisk oil sketch of fog and the rising sun in Monet’s home port of Le Havre lent its name to that for the whole movement.
A prolific painter who was moderately successful in the Salon, a key influence on Impressionism, and Monet’s first mentor, yet is now almost forgotten.
The Eclectic Light Company 