A deer substituted for the sacrifice of Iphigenia, as companions for the sorceresses Medea and Circe, in Bonnard’s rural idyll, Rosa Bonheur’s wildlife portraits, and others.
Bonnard
With Bonnard inside Marthe’s bathroom for some mirror play, exuberant decor, and her soaking in the tub.
From his first intimate interior with Marthe in 1898, a selection of the finest of Bonnard’s paintings of domestic interiors to 1946.
Paintings from the late careers of Félix Vallotton, Robert Bevan, Nikolai Astrup, George Bellows, Théo van Rysselberghe, Pierre Bonnard and Lovis Corinth.
One of the most private areas in a house or apartment, shown here by Degas, Maximilien Luce, Pierre Bonnard, Édouard Vuillard, Eric Ravilious and others.
Portraits in pastel by Baes and Laikmaa, and oils from Lovis Corinth, Christian Krohg, Emily Carr, Pierre Bonnard and Paul Sérusier.
Views from the inside of balconies looking out and down, from German Romanticism, through Morisot and Caillebotte, to Corinth and Pierre Bonnard.
Views from outside looking up and in, including David and Bathsheba, Romeo and Juliet, an early plein air landscape, and Goya’s majas.
Sargent’s hospital tent, Arab camps, Shoshone below Lander’s Peak, Sami in Lapland, clubs on Derby Day, the Big Top, and on holiday.
King Candaules killed, Phryné acquitted of impiety, Musidora watched while bathing, a nude on a beach, and Bonnard’s partner Marthe.
The Eclectic Light Company 