The Saracens launch their assault on the city of Paris. Meanwhile, Astolfo is making the long journey back to Europe, during which he has capture a giant and kill a monster who self-repairs.
Böcklin
Ruggiero rescues Angelica, but is unable to kill the orc. After they fly off together, he tries his luck but she becomes invisible and escapes. Orlando then kills the orc and rescues Olimpia.
From Böcklin and Waterhouse to Vincent van Gogh and Egon Schiele, many 19th century artists used crows as a symbol.
Ruins being slowly destroyed by the sea, a sacred grove, and above all his most famous work, Island of the Dead.
A succession of impending landscapes which culminate in ‘Villa by the Sea’, a mysterious Mediterranean view. An early symbolist?
Under the patronage of the d’Estes, Ariosto drew on Carolingian and Arthurian legend, and classical myths, to create his epic. With superb paintings to accompany.
Feet playing major roles in paintings by Gustave Moreau, Tintoretto, Rembrandt, Böcklin, Lovis Corinth, and others.
From fresco to varnish: a succinct summary of all the different media which have been used in painting, with links to more detailed articles.
Never shown to the public in traditional paintings, a vital layer which goes between paint and the support. White, colour, chalk or oil.
After European artists saw Hokusai’s print The Great Wave off Kanagawa, their own depictions became widespread, peaking in 1896.
