Signatures written on scraps of paper, or in books, with comments, dedications in graffiti, and an apocalyptic vision of Botticelli.
Cameo views of landscapes were common practice during the Renaissance, and also had value in locating the primary view.
From the fur-trimmed cloaks of Jan van Eyck, to the soft folds of Lisa Gherardini’s dress: clothing and fabrics painted in oils.
From the shadowed silhouette painted by the legendary Dibutades to paintings of families involved in shadow play.
Miniature landscape views embedded in more conventional paintings were not uncommon during the Renaissance, before landscape was established as a genre.
An overview and contents of the articles outlining the history of the Italian Renaissance, centred on paintings from Florence.
A timeline of milestone paintings, first surviving examples of the achievements of the Italian Renaissance, from 1320-1596.
At the start of the 15th century, Italian easel paintings used egg tempera. By the end, Leonardo da Vinci was pushing the technical boundaries using oil paint.
Considers what exactly changed in painting in the Renaissance, and when we can establish as those dates, compared with literature, for example.
The way that distant hills fade in contrast, detail and colour, and how their hue shifts towards cooler colours. From Antonello (1475) to Thomas Girtin.