What became of those who had been Nabis in the early 20th century? These four never completely abandoned their Nabi roots, as seen in their paintings.
Rembrandt’s Jewish Bride; Gérôme’s Carpet Merchant; Sargent’s Arab Woman; Cézanne’s Forest Scene. Each at different levels of detail.
Were Turner’s and Cézanne’s late paintings becoming more abstract? What distinguishes representational painting from abstract?
Perhaps they are the landscape equivalent of serial self-portraiture after all.