His richly colourful paintings of women are reminiscent of Renoir at his best, and some of his later studies of nudes appear to owe much to the influence of Degas.
Of the more prolific and influential members of the Macchiaioli, Fattori was the only one to adhere to the group’s principles throughout his career, at cost to his income and recognition.
Apart from his early years as a somewhat atypical member of the Macchiaioli, Boldini remained on the periphery of those other movements and kept his distinctive style as the Master of Swish.
There are several uncanny parallels with the Impressionists, including the importance of the tache and plein air painting, early critical hostility followed later by acceptance, and of course the tragic deaths of Sernesi and Bazille in war.
Dividing his life between New York and Rome, by 1870 he was painting Symbolist masterpieces and superb landscapes in Italy.
The souls of those who delayed their repentance until shortly before death stay in Ante-purgatory for a whole lifetime. Among them is a virtuous wife who was murdered by her husband.
Naturalism was a phenomenon of Northern Europe, centred in Paris with Jules Bastien-Lepage as its high priest. Except here it is in the Italian island of Sicily, in the backstreets of Catania.
Now seen as the odd man out of the Impressionists, at the time he had great influence. Here are samples of the work of those he influenced.
Degas was nothing if not thoroughly sociable. Here are some of his more significant artistic friendships, with paintings.
Many of the great painters have been migrants. Here are examples from Canaletto to Sargent. Suppress migration, and art will be stifled.